Sunday, November 29, 2015

Ian 30

Ian,

Our bodies, yes. Our mouths, certainly. But when I consider how we touched first, what I know is that I moved impatient and desperate to open myself beneath you, and your cock slid inside me quickly, warm as the hidden skin of a shy animal in late sunlight, touching me in a place where I feel...

Something like a joyful panic. A helpless acceptance of a moment our names become the same. A choked and sequined emotion constructed of unshed tears and looks averted. Maybe that's all anticipation ever was; some child's devotion I never had a name for, as a girl designed to so carefully feel nothing. 

I first touched your cock with the edges of a hollow space inside me, the sight of it unknown, and let it draw from me what I'd held so deep within, that only Bonnie knew; that I'm in love with you. It's my favorite way to touch a cock the first time. In such a way, to be blind to it, and feeling the places in my pussy it stretches tight around, closes to, opens just wide enough for, and hold back tears for the pain of. 

What I knew first about how we touch one another, is this is how we do. Without an artifice designed to exalt a drawn out waiting, and with the immediacy of hard want, wet need, innocent trust. I trusted you. I will always trust you. 

I closed my eyes while you fucked me, to imagine what it might look like to see what my body could feel of you. I wonder sometimes if I could tell, if a whore could tell, her eyes narrowing in recognition. I forget a lot of faces honey, but never a repeat customer. Is my body such a scholar of a wound? Would it remember always the pain you fucked into me, the slow and fearful way I came, the pressure which assured me it was wider than I'd expected?  

I never found out, because night raced me back to you, where you fed it to me in long strokes of your hips, and of time, until I knew it by sight and touch, and could later describe its shape and color to my twin brother. 

"Don't you remember?" 

His eyes flickered low, maybe embarrassed, or resentful. 

"Knock it off, Evie," he pouted, mistaking me for teasing. 

The eventual shape and destitute longing of the ever-proper Oxford comma, which grants the wish of the end of many similar things. 

The color of Nick's lips on a warm day, his scarred knees on a cold one. 

He licked his mouth, and told me, "That's disgusting."

The looks I receive more than any other, anymore, I would describe as wolven. The taste of your cum is an acidic fear edged with a sweet and human flavor like the inside of a mouth thick and warm, pressed behind the clean pads of the paws of a fox that knows the speed of that which is behind him. You taste hunted. You taste cloyingly hopeful. When you cum into my mouth, you wrap your hand around your cock and rest the head against my tongue, where you pet my hair and I kiss the cum from you. 

You're a virgin, and I look for what of your body might match that state of being well enough to be noticeable. Could I see you were a virgin by the way your cock looks? Are you some original Lolita, always and forever new and young-looking below the waist, so unspoiled? 

I see no difference but in your irascibility. You get hard for me over these rocks, this book of matches, this tear in my nylons, this assurance we were always meant to be. 

You've made yourself cum for me four times now, in the morning before we left the nest of our bed. You roll into me, you hand pressing your cock into the resistance of my body, and my hand snakes fast to find the nape of you. I rest there, while you breathe hot and fast into the corners of me, and press your cock against my sleeping skin to dowse it with another way you taste or feel. 

Close to you in the bed I know we'll come back to, lacking the right amount of space for us, I know I'll find it quickly then, in the dark places we'll inhabit. 

Love,

Annik

Monday, November 23, 2015

Ian 28

Ian, 
 
I sit and stare at this blank place and think about how to tell you in direct and elegant prose how my world has come undone. 
 
There's a yard, somewhere, that maybe you remember.  In the sunlight which turns a yellow-green in the warm summers, blonde children hide in the cool and green shade beneath the porch, when not jumping, stamping feet, excited, or reading a book where the cinderblocks make the patio and feel cool despite the heat. 
 
In the yard, there's a shed, which was a whitish shade of corrugated metal with a matching roof, and inside smelled of pesticides and lawn clippings.  Or it was wood-shingled and hand-machined.  Or it was red, faded to almost the color of blood, and the chipping paint on the trim was made to mock a barn.  I can't remember.  But there was a space behind it, where the dirt was soft and dry and a pale gold the color of lion's fur.  Weeds grew tall along the fence, which was open chain link, and there were stacks of old bricks that had gone unused when the Dragon had...no.  No, when my father...when Walker made...I don't remember, and maybe that doesn't matter either.
 
Brad's voice teases from it, forever the summer of boys in the woods. 
 
"I read it in a book, Evie."
 
"You did not."
 
"Yes, no matter what, exactly the same."
 
"That's stupid."
 
See, with me and Brad, it's always felt that if any pair of eyes but ours were laid on us, we would vanish forever, and maybe that's because we grew up one another's imaginary friends.  But the silences alone, we treasure because it's a feeling of hidden reality.  If there was a secret world you could get to, whenever you wanted, that felt like heaven, but vanished when someone got near, wouldn't you...wouldn't you...hide...somewhere...forever?
 
"You have them on your cheeks and I don't."
 
"No, that's not what I'm saying.  You can have them wherever, but there's always the same NUMBER."
 
"How many do you have?"
 
"52."
 
"You counted already?"
 
He laughs low, breathy, the sound of a boy trying to be quiet. 
 
"Yeah, I checked in a mirror.  Even on my ass."
 
"You don't get freckles on your ASS."
 
"Yes huh."
 
"Well, I can't count right now because I don't have a mirror."
 
He snaps a piece of gum, or maybe cracks his grin because it approaches him fast.
 
"I could do it for you."
 
"Will it get you to shut up about it?"
 
"Yeah."
 
I sigh long and theatrically. 
 
"Alright."
 
I pull my dress up, over my head, and spread it neatly onto the brick pile, to keep it from the dirt.  Under it, I'm wearing a dark blue satin bra and magenta satin panties.  From where he sits against the fence, his eyes get big, maybe used to seeing or used the idea of white cotton underwear with tiny yellow or purple flowers hanging on the clothesline.
 
"Where the fuck did you get those?"
 
"Nowhere.  The store," I shrug at him, confused and self-conscious and not feeling like admitting I'd stolen them from...one of our mothers.
 
"Well, you have to take those off, too," he said, his smile getting sly.  "You need help?"
 
"No," I told him, denying his help and his requirements.  I stood, obstinate, in the summer air. 
 
He stood up to count, and started at my legs.  He took, methodically, parts of me in his hands, to turn and examine, and mutter under his breath.  I got nervous someone would see.  His missing shirt was allowed.  Mine was not. 
 
"You have to take your panties off," he said at last, standing in the space behind me.  My hair was very long and brushed my back and shoulders, then.
 
"Okay."
 
Pulling them off, he lifted the curtain of my hair to see my skin better, and I felt his breath on me and shivered. 
 
"You aren't cold, are you?" he asked me, softly.  I could smell the detergent on his clothes, and the sweat in his hair.  I wondered what of me he could smell.  I could tell his jeans were newly washed, as was his hair.  The regimented machine of a mother with multiple children meant that we were both often scrubbed clean and not allowed to wilt in summers. 
 
"No," I said, almost in defiance.  He chuffed under his breath, and muttered.
 
"24."
 
When we approached my shoulders, he turned me to face him and walked his fingers over me, counting, his expression one of intense concentration.
 
"3...6.  3...7"
 
In an abrupt change of course, his eyes snapped up into mine.
 
"Will you kiss me?" he asked, his voice somewhere between playing and serious. 
 
I stood up on my toes and gave him a peck on the mouth.  As I did, his hand snaked around the back of my neck and held me there, long enough the tension in my mouth softened and my heart started to pound. 
 
Our skin met and we felt it's meeting with encircled hands, while he tried to make clear his point.
 
"I like when you sleep in my bed," he said, his voice strained.  The tangle of us in his bed at night was sometimes warm and welcomed, and sometimes hot and fitful, pushing us past one another and away for air or space, and coming back again in nuzzles cooled by sweat.  His breath was cottony and rumpled, like old laundry, when he puffed it into my face.
 
I lowered my eyes, realizing he wanted to kiss me while I was naked and I fell for it.  I scoffed.
 
"No, I do," he said, pulling me back to him.  "I do, I like you touching me.  I want to kiss you all the time."
 
His eyes turned from playful to pleading, and we kissed again, against the scratch or burn of the wall of the shed. 
 
"Here," he said, his voice suddenly loud and startling.  "Here, lay down."
 
In the dirt, we laid down together like we did in his bed, and facing him, I kissed his mouth while he looked at me confused and lost.  Something grown up and adult was seeping into the world we'd made.  Some feeling I knew was real was the coming of an impending precipice.  Now, it'll be more like...now, when we play, it'll be more like...
 
He found his way, hot under the sun, his skin baking warm and steamed by his sweat, between my thighs.  The pressure of him against my body made me moan soft into him, and he swallowed it hard in the dimensions of our kiss. 
 
Rapid and before I was aware enough to comment on a yes or no, he dragged from behind his open zipper the weight of his cock and pushed it, hard and suddenly, into me, where I yelled some strange sound, and his hand clamped over my mouth.
 
"They'll hear us," he hissed. 
 
I tried to steady my breath, and whimpered under him. 
 
"Shhh," he said.  "Shhh, it's okay, Evie."
 
"Brad?" I almost asked him, digging the pads of my fingers into his shoulders, feeling the cool dirt under me, and how it caught and coated my hair. 
 
He moved slow and cautious. 
 
"Does it hurt?" he asked me, and I confirmed him.
 
"Yeah."
 
He made sounds of disbelief above me, sweat that had nested in the root of his hair now escaping down his temples. 
 
"Oh...oh fuck...Evie." 
 
The catch of his hips against me was something he kept low and soft, like he was trying to nudge me gently from a heavy sleep.  I felt my eyes drop and something like sleep come close to me, something he was teasing me toward.  I made louder and hoarsely-whispered moans into his ear, and his hand came back.
 
"Shhhhh," he said.  "We can't let anyone hear us."
 
He swallowed a gasp of surprise when I came painfully around his cock, and he spilled his cum inside me a second later.  I felt him clutching the ground for something, and balling his fists into my hair, which he buried his face in and blew dust and sweat between us. 
 
"I love you," I murmured to him, and he choked a sob and said it back.
 
"I love you.  We have to go before someone catches us."
 
"Okay," I told him, stunned and full of some kind of peace.
 
"Will you spend the night with me?" he asked me, somehow shy suddenly.
 
"Yeah."
 
I wanted to tell him in that moment something he knew and would remember forever, but highlighted something I believed was true, in a sense I wasn't sure how to articulate.  I wanted to tell him, "You're my brother."
 
He pulled away from me with a last kiss. 
 
"You won't tell anyone, will you?" he asked me, and I shook my head.
 
"No.  We're a secret."
 
Love,

Annik

Thursday, November 19, 2015

Ian 26.5

Date/Time: 11.19.2015, 12:00 PM
 
 
Recipient: Ian
 
Sender: Annik
 
Purpose: Explanation of Black and  the influence thereof.
 
Expected Result:
-Apology
-Realization
-Sexual arousal
-Invitation
 
 
Salutation
 
Matthew,
 
 
Abstract (Annik)
 
A barren feeling in my heart caused by invisible heat or the fires of your approach.  Silent in their nature by the virtue of the silence you engender, precipitating your return with a blank and scorched section of the earth of me, not to reap a new growth, coax tender and young greens from a place of slick and hard abandonment, but stand wary in a field of some peril.  Times I have before, in the real or imagined cradles you settle like ash to fuck me in. 
 
Word borrowed from Scandinavian folklore of particular interest to me:
Immolation
 
Body (shades of Violet approaching Lividity)
 
I race over the highway blacktop, the night air cold around me in the coming fall, and I listen to music that means nothing to me anymore.  Nothing means anything to me anymore.  The air is dry because I am driving through the terrains of nightmares of my brother, and that doesn't mean anything to me anymore.  I am trying to drive fast enough to outrun all the words and ways of life I shoved like a messy and unwanted dick into your sister.  I am trying to drive fast enough to outrun your fucking ghost again, but I can see the trees ahead, over the river, and I know I'm going to run out of road. 
 
The land wets the way my pussy does,  and it does, because home feels good to me and for once I feel good to myself, but too fast, too hard, too soon, I skid over the asphalt and the road under me...
 
The road under me...
 
Stops being road at all.
 
The pressing hard of the brake pedal is an act of adrenal terror, retrospective and thick and clumsy as a camel ride. 
 
Put.
 
Your uh.
 
Foot down.
 
And the road ran out, and there I was, terrified in the char of something I'd done. 
 
Right out from under me, the feeling of myself in myself and home to be alive and want or wanted, unrolling fast and...
 
Well, Clyde would've said something like, "Where'd you get yourself to, Fox?"
 
A smoke-heavy and blacksooted dining room, where I once lived as a child, where I stood in trouble because I don't know, maybe I'd started the fucking thing.  My legs burned...
 
Matthew?
 
My legs, they got burned.  I don't know why I had to come here, to this place, where the TV blared at me all the time and quiet in the honeyed heat with my dolls I told them, in the corner between the bed and the dresser:
 
Shh. 
 
Because maybe fire can hear you. 
 
I got my legs burned, spattered like the speckles of an egg, smoothed to cool cream-scented slightly detergented gauze wrapped white and soft, but I couldn't sleep.  I have all these freckles, and the road just...
 
Realignment of Purpose (Vincent)
 
The positioning of the universe placed me in a situation to feel responsible for the loss of virginity of a girl, it's utter loss, it's annihilation, it's ill-treated bruising from the inside of the places she was softest.  I drove her up to the top of the city and didn't understand her tears meant stop.
 
Then it happened again.
 
I don't really want to do this anymore.
 
Realization (Maroon)
 
I must've known you were coming home. 
 
It's quiet here, in the wake of any destruction.
 
Considerations (Shades of Red)
 
What's Black in me, is burned, created by fire, and smeared with the irreversible remnants of it.  In the tower of the church, which no longer holds a bell, there is a scorched place where she hides her melted objects.  She was once a bird, to escape the burning of me.  You asked, a crow, and I said, sometimes, but I struggle with some symbolism, of why it's like this inside me. 
 
Burning Eden down was only ever about...
 
Was only ever about...
 
Was only ever about...
 
How dark a thing...
 
No, I don't know.  Leave me alone, please.
 
Force of Will (Vincent)
 
How dark a thing like me...
 
Would need to get...
 
To start over.
 
Conclusion (Annik)
 
I belong to you in blankets of your heavy thoughts, wrapped into the place we lay.  The sweet sleep of the wicked, interlacing with you beneath me, reversed rain dripping into me.  Did you know we're in love?  Did you know we're in love?  Did you know we're lovers?  I must've left a mark somewhere, stripped you and left some mark, some warrior's mark on your proud cheek, in the ash of what was left of you, kissed you hard enough to bruise and said, "Come back to me."
 
Closing
 
Love,

Annik

Thursday, November 12, 2015

Ian 26

Ian,
 
The dragon of Adam uses the pregnancy of himself to split and form something new.  The pleasing of the earth is one of tearing off of scabs, to plant and form new inventions.  Severance is a name that means all the places we bleed from freely, in the split from us of our beliefs, into reality. 
 
I use his Severance to make children.  He uses it to create humanity within himself.  Adam is a man, Adam is all men, Adam is this man, Adam has this man inside him.  All men, grown from the stone of some single form of him, crept with the moss of my catalyst. 
 
The ideas of him become heavy, solid, too heavy to bear within him, dropping into some void and leaving there a shiny place, raw and thin I think he named Saul. 
 
I'm a hero for you, Evelyn.  I'm a junky for you, Evelyn.  I'm a wretch for you, Evelyn.  I'm a tyrant for you, Evelyn.  I'm a sadist for you, Evelyn.  I pick up his stone men, examine that which in them could be considered integral, or indispensable. 
 
The thin tower of Adam's Unsevered self is a spire, rough as your undusted clay, cobwebs clinging to it even now in a gossamer attempt to form something, invent something new, some new place to exist, in ourselves, and against. 
 
The wings of him, dry as paper and spiny with the dark scales of his inevitable regeneration, rustle like the leaves of paper sent to the floor of his lab, without conclusion, or reason.
 
Love,

Annik

Friday, November 6, 2015

Ian 25

Ian,
 
I understand why people get married, and I wonder about the first people who did it.  Surely it must've been one of us.  Who else would come up with such a ridiculously paranoid gesture of proof?
 
I think all a wedding is, is proof that love happened.  Proof, for everyone to see.  Lovers in secret would be quickly assured of their lack of reality.  What did you say, about reality?  That it must be shared, to exist?  Then I can see a marriage as a creation of a reality, in an of itself, and a wedding, the creation of a reality in which that one reality is recognized as...real...maybe all the infinite universes, are all our doing. 
 
Having children is similar, but an altogether pagan bend to the prospect of a shared reality.  Having that, you imprint it on a blank and vulnerable creature.  When I think of it, removed from the act of it myself, I find it to be alien, somehow cold, and reptilian. 
 
The game most of us play, as mammals seeking a mate, is a game of make-believe, drawing inferences from another person to imagine what world we might make together, and how it would take, to a blank and formless soul. 
 
So here's mine:
 
I was in love with you, before we'd ever met.  I was in love with you, the way any girl might be in love with a boy who wonders about reality the way you do, enough to make someone feel allowed to have their own, even when the biting implications are the things you asked years ago, about how a dead girl makes you wonder if you came at all.  How you felt haunted, or you all did, was enough to bite the ends of my fingers like a cold day and tell me there were rooms waiting, somewhere, full of the dragons of memory, hot and so unsatisfied. 
 
Sinking into green couches, occupying rooms the way boys might, all eyes low, and those met are met with glee and sarcasm, a pillow tossed too hard, and a whining cry.
 
I dreamed about you.  4 times, as I came home.  Specifically and only you.  In rooms large enough to scare and confuse me, the windows bright and daylight.  Then you were gone, and all I knew about your face was the blank pattern of a door. 
 
The day you were killed, I dreamed of you in a tower.  I clung to the outside, and you reached for me, just as I was falling.  I remember Bonnie's voice in the cold.  January 11th. 
 
"Matthew's crying." 
 
So I fell in love with the ghost that haunted me.  Any reality we share is one where nothing dies and ghosts exist.  Any reality we share is where we can love the dead or imagined as well as the living.  You were a ghost to me, or a dream.  I think I was one back, for you.  Any child we had would fall in love with dreams.  Our child would have to thread the physical world through some needle and stitch it to a substantial and thickened place to pull from the ether the person they loved. 
 
I would have sewn you into all my clothes, had I known to do it. 
 
The blue of your nail polish chipped away in the days that passed and when Adam remarked on it, I lied. 
 
"Where did you get that?"
 
"The...store?"
 
My incredulity made his suspicions vanish under the clouds of his own paranoia.  Our child would be a good liar.  A good liar lets a man lie to himself.  I am quite sure, Matthew, that you got it at a store. 
 
"God, you guys would have been faggy best friends," Bonnie tells me, examining my clothes.  "You would have just had a Buffy wardrobe fight."
 
"Doc Martens and velvet blazers bleeding all over," I laugh at her.  She laughs back.
 
"No, totally."
 
Now that you're here, I watch you, carefully thoughtful, masticate your cigarette while you consider a line or a color.  Our child would be impulsive to argue or retort, and very slow to decide between options. 
 
You examine my hands again, in the dim light of the store.  I know our child would touch, in order to learn. 
 
Love,

Annik

Tuesday, November 3, 2015

Ian 23

Ian,
 
You touch a place inside me I don't want to be touched.  I think that's what I mean, when I say that I felt free to fall in love with you.  I think I did, without your knowledge or consent. 
 
I like T.S. Eliot and I don't really apologize for it, because he knows about things being small the way I can sometimes feel.  My mother keeps things like it in a box shaped like a heart with a pink lid.  What's inside my heart...is a blue marble, candle flames, broken jawbones, a pair of ragged claws, coffee spoons, the universe, pressed into a ball. 
 
But...
 
I'm not the universe, unless it's made up of things like that; the things that fall out of the bottom of a pocket with a hole, that escape a fisherman's net, and cause irritation when caught in the weave of your sweater. 
 
I keep things like that.  I have boxes of them.  Because what matters is...remembering...I guess.  That all small things exist.  Maybe I'm collecting souls.  I saw your bag of gears.  I wonder if you do, too.  If it's what foxes do.
 
You touch those things, or where I keep them, or the person I am that does.  Where I'm frail and stupid and I have pockets full of feathers and tiny nubs of pencils.  I guess I lied a lot and said a soul was something else, but it's those.  I wonder if you know that.
 
I don't want you to touch me because I don't want you to see that for some reason, but you do, and you have, and it feels...
 
Like you know about what I am. 
Like you want to touch what it is. 
 
It might be a place in my heart, and it might be a place inside my pussy.  I have no idea, and it might be the same thing.  You push and I breathe in, and you breathe out, and you touch something, and I want...you...to stay there...because...that's where I'm always waiting for you, collecting the stupid magic of all unimportant things. 
 
In the room where they're kept, it's dark and the light from the window means it's overcast and afternoon.  It washes the shadows with something pale and ghostly.  I have my back to a wall, and driftwood in my hands, and you've tripped over a small spool of electrical wire, and we meet eyes, and you don't...ever say anything, but I cry until you do.
 
Love,

Annik